The Physics of Hope.

Okay, one more before I pack.  Since it came out in NF a long time ago: I never liked physics much. I’m not just talking about the math. I don’t like what modern physics tells us: that time is an illusion, for one thing. That we live in a reality where everything that ever was, […]

Posted in: astronomy/cosmology, ink on art by Peter Watts 6 Comments

Books and Banana.

Here’s the latest in an intermittent series of self-related roundups from around the world, which— while perhaps lacking a certain focus— culminates in what has to qualify as The Best Author Photo Of All Time. But let’s start small, and build to it: It’s only a Recommended list, not a Required one, but it’s nice […]

Dumb Adult.

We didn’t have “Young Adult” when I was your age, much less this newfangled “New Adult” thing they coddle you with. We had to jump right from Peter the Sea Trout and Freddy and the Ignormus straight into Stand on Zanzibar and Solaris, no water wings or training wheels or anything. Amazingly, I managed to […]

Posted in: ink on art by Peter Watts 171 Comments

Verbal, Visual

Verbal. This is going to be one of those colloidal installments containing bits and pieces too insubstantial to warrant their own standalone posts. Upcoming appearances, for one thing: over the next few months, they’re letting me out in public on three separate occasions: The BUG and I will be coappearing at the Peterborough iteration of […]

Posted in: ink on art, On the Road, public interface by Peter Watts 4 Comments

(In)Sense8

Spoilers.  Duh.   When Caitlin Sweet, Mistress of the Character-Based Narrative, complains that a TV show wallows too much in characterization— worse, that it needs more science— you know a screenwriter somewhere has seriously missed the boat. Over the weekend we binged on this Sense8 show everyone’s been raving about, curled up on Big Green […]

Posted in: ink on art by Peter Watts 27 Comments

Intellectual Fortitude

In 1971, barely into my teens, I went to a movie with my dad: The Andromeda Strain, based on Michael Crichton’s bestseller, and one of the more faithful adaptations of an SF novel put to film. It’s not a perfect movie. Even back then I could see it wasn’t great on character development. There was […]

Posted in: ink on art by Peter Watts 23 Comments

“Humans”? They Weren’t Kidding.

Spoilers.  Duh. So that was Humans. Eight hours of carefully-arced, understated British narrative about robots: an AMC/Channel 4 coproduction that’s netted Channel 4 its biggest audiences in over two decades. What great casting. What fine acting. What nice production values. What a great little bit of subtext as William Hurt and his android, both well […]

Posted in: ink on art by Peter Watts 24 Comments

Spock the Impaler: A Belated Retrospective on Vulcan Ethics.

When I first wrote these words, the Internet was alive with the death of Leonard Nimoy. I couldn’t post them here, because Nowa Fantastyka got them first (or at least, an abridged version thereof), and there were exclusivity windows to consider. As I revisit these words, though, Nimoy remains dead, and the implications of his […]

Sweet Justice. (And puppets.)

Today’s opening act is a left-over I forgot to include in that last post: a bit of flesh sculpture I was not allowed to show off in “Pones & Bones” because it would have risked  spoiling a yet-to-be-aired episode of “Hannibal”. That episode recently aired, though, so the embargo is lifted. Behold: the hoofed, flayed, […]

Posted in: ink on art, writing news by Peter Watts 12 Comments

By & About

Me, that is. In reference to a couple of essays that have gone live over the past 24 hours. * I haven’t had a lot contact with the good folks over at The Canadian Science Fiction Review— I don’t even know why they call themselves “Æ”, now that I think of it— but over the […]