Anatomy of a Flameout

I can think of about a hundred people who’d argue that writing this post is the dumbest, most counterproductive thing I could possibly do— that I’m not only burning my bridges behind me, but burning others before I come to them. These people would tell me to keep my opinions to myself, for the sake […]

Posted in: writing news by Peter Watts 59 Comments

Novel of Interest.

Chances are, if you emailed me this autumn past you received a terse autoresponse claiming that I was too busy to respond, thanks to some hush-hush project that might implode at any moment. Over in Poland, readers of Nowa Fantastyka might have noticed that my column in that magazine went dark about the same time. […]

Posted in: writing news by Peter Watts 33 Comments

A Young Squid’s Illustrated Primer

Part the First: Liminal I recently did a kind of free-form interview with fellow US-border-guard-detainee Jasun Horsley, for his Liminalist podcast. It went okay, if you discount the fact that the Skype connection seemed to go dead without warning every couple of minutes. I certainly hope that we repeated our respective Qs and As often […]

Sweet Justice. (And puppets.)

Today’s opening act is a left-over I forgot to include in that last post: a bit of flesh sculpture I was not allowed to show off in “Pones & Bones” because it would have risked  spoiling a yet-to-be-aired episode of “Hannibal”. That episode recently aired, though, so the embargo is lifted. Behold: the hoofed, flayed, […]

Posted in: ink on art, writing news by Peter Watts 12 Comments

By & About

Me, that is. In reference to a couple of essays that have gone live over the past 24 hours. * I haven’t had a lot contact with the good folks over at The Canadian Science Fiction Review— I don’t even know why they call themselves “Æ”, now that I think of it— but over the […]

Aurora Campbell Panoptopus.

Some of you may have noticed that Echopraxia made it onto the longest short list in SF a few weeks back: the ballot for the John W. Campbell Memorial Award for Best Science Fiction Novel. On the plus side (for me), it’s one of those jury-selected deals, so it’s not a popularity contest like the […]

Posted in: art on ink, biology, marine, neuro, writing news by Peter Watts 20 Comments

Pones and Bones: A Trip to Anti-Narnia.

We open with trailers for Coming Attractions: to the immediate right you can see the French cover for Echopraxie, from Fleuve.  I like it. Whoever the artist is, they’re channeling a bit of a Giger vibe. Immediately below, on the other hand, is the cover for Head of Zeus’s UK edition (they’re the guys who […]

Posted in: ink on art, misc, writing news by Peter Watts 16 Comments

Bedlam and the Bookies

So it’s official. As of Tuesday— and as most of you probably know already— Echopraxia won the CBC’s “Bookie Award” in the “Best SciFi, Speculative Fiction, or Fantasy” category, beating out Emily St. John Mandel’s Station Eleven by (as of the close-to-midnight screen grab to the right) 300 votes. It was a much closer race […]

Posted in: misc, writing news by Peter Watts 58 Comments

“Finalist.” As in “Last”.

So remember when I mentioned that cryptic little page over on CBC with Echopraxia on it? The one whose origin and purpose was a total mystery? Well, not so much any more. Turns out Echopraxia is a finalist for this years “Bookies“, under the “SciFi/Fantasy” category. (No, I’m not blind; I swear that logo wasn’t […]

Posted in: writing news by Peter Watts 63 Comments

Rollover

So, here we are again. Another year. The last one went decently enough, writing-wise at least. “The Colonel” got picked up for reprint both in Dozois’ Best SF 32 and in Allan Kaster’s Top Ten Tales of SF 7. “Collateral” made the ninth iteration of Jonathan Strahan’s The Best Science Fiction and Fantasy of the […]

Posted in: climate, interviews, scilitics, writing news by Peter Watts 66 Comments