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<\/a><\/figure><\/div>\n\n\n\n…into this…<\/p>\n\n\n\n and<\/p>\n\n\n\n and<\/p>\n\n\n\n and and and<\/p>\n\n\n\n …and I gotta say, I was skeptical that they could surpass the steampunk menagerie<\/a> of Nantes’ Les Machines de l\u2019\u00eele<\/a>\u2014but the Frawnsh seem to be absolute fucking masters<\/em> at this sort of thing. The still photos don’t really do justice even to the scale of the production, much less its kinetic energy. The video below comes closer, but you got the shaky-cam and the frequent blur of a camera in constant motion (I just wandered the labyrinth recording for the whole show; The BUG tells me I never stopped gaping).<\/p>\n\n\n\n So if you can weather those limitations and you’ve got 40 minutes to kill, check out the full-length (non-YouTube-hosted, because Fuck Google) video before the bomb cyclone kills the power and freezes you to death just in time for Christmas. There are worse soundtracks to check out to.<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n